Analysis of Superfly



Make your mind what you want it to be.
—Curtis Mayfield

Tired of waiting for him, I think of a plan to stick it to the
Man—he waylaid me with promises: protection, his valuable keys.
Nights of seduction, I would glide to the curb in my customized Eldorado,
black finish and cool bubble top

and turn it over to a superyoung girl with rags and a bucket of soapy
water, with a smile and a dead president, make it shine my sister.
He is inside listening to Curtis, his sapphire ring

he brings the moon with him, this cat, and his eyes glow like
mellow stones at my superfly threads. The cashmere white stitched suit,
the maxi coat trimmed in fox fur: vixen,

my pretty little hat with three blue feather plumes. I let him dig me for a while,
and lay a kiss, a spoon of cocaine on him, our secret meetings
a potent rush and I am hip to the hit to his fly hand on my thigh,

my ladies scatter in a cloud of Opium and he tells me,
you know me, I’m your friend.

I thought he was my man—I flash on him in the bathtub, its ledge of oils in flasks,
pulling a loofah sponge over my tired shoulders, passing a reefer in lemon paper,

on all the tired bitches working his keys, hustling his diamond rocks—
two sets of false eyelashes, micro minis, freezing their asses off.

My .25 Beretta can’t stop him, it’s not real, I’m not real to him. He’ll
use me up and kill me; I need brains guts and cool;
I put fur on your back, my baby, he says.

I am between him and death, the greatest high of all, and I ask him to step outside.
The pink flakes blow my mind and I turn to him with a flurry of karate kicks,
kicking out my left leg I bring him to the ground

and with my foot on the collar of his mohair suit I tell him, I took your
money and signed a contract on you: I hired the best killers there are—

men like you—yeah, if one hair on my gorgeous head is harmed, it’s all over for you.
It’s all over for you, I think, as I imagine I am Superfly; my mind is what I want it to be,
the Man is tired and suddenly he looks

old, very, very old as he turns away from me, the things he cannot dream—
my brazen plans, my body full of love.


Scheme AX XXXX ABX XXX XXX AX XB XX XXX XXX XX XAX XX
Poetic Form
Metre 111111111 101 10110111110111110 1111110001011001 110101111010110010 11001101 011101011110010110 1010100110111110 110110011011001 1101111101111 1011111010111 0101101110 11010111110111111101 01010110111101010 010101111011111111 1101000111000111 111111 11111111110010111101 1001110110101001001010 110101010111001101 111110110101101 1010111111111111 111011111101 11111111011 110110101011101111111 01111101111101010101 101111111101 011110101111111111 10010111110011011 11111111110111111011 1110111111010111111111111 01110010011 1101011110111011101 1101110111
Closest metre Iambic octameter
Characters 2,152
Words 458
Sentences 13
Stanzas 13
Stanza Lengths 2, 4, 3, 3, 3, 2, 2, 2, 3, 3, 2, 3, 2
Lines Amount 34
Letters per line (avg) 47
Words per line (avg) 13
Letters per stanza (avg) 124
Words per stanza (avg) 33

About this poem

Poem for Curtis Mayfield's 80th birthday. The legendary singer-songwriter passed away in 1999.

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Written on 1996

Submitted by Drone232 on June 07, 2022

Modified on March 05, 2023

2:17 min read
8

Lynn Crosbie

Poet, novelist, and cultural critic Lynn Crosbie was born in Montreal and currently resides in Toronto. She earned a PhD in English literature from the University of Toronto, focusing on the writing of Anne Sexton. Her collections of poetry are Miss Pamela’s Mercy (1992), VillainElle (1994), Pearl (1996), Queen Rat: New and Selected Poems (1998), Missing Children (2003), Liar (2006), and The Corpses of the Future (2017). Crosbie’s poetry frequently treats sexuality, violence, popular culture, and femininity. Her collaboration with David Trinidad and Jeffery Conway, Phoebe 2002: An Essay in Verse (2003), is based on the film All About Eve. She is also editor of the anthology The Girl Wants To: Representations of Sex and the Body (1993). more…

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