Analysis of Breadth And Depth

Friedrich Schiller 1759 (Marbach am Neckar) – 1805 (Weimar)



Full many a shining wit one sees,
      With tongue on all things well conversing;
    The what can charm, the what can please,
      In every nice detail rehearsing.
    Their raptures so transport the college,
    It seems one honeymoon of knowledge.

Yet out they go in silence where
      They whilom held their learned prate;
    Ah! he who would achieve the fair,
      Or sow the embryo of the great,
    Must hoard--to wait the ripening hour--
    In the least point the loftiest power.

With wanton boughs and pranksome hues,
      Aloft in air aspires the stem;
    The glittering leaves inhale the dews,
      But fruits are not concealed in them.
    From the small kernel's undiscerned repose
    The oak that lords it o'er the forest grows.


Scheme ABABXX CDCDEE FGFGHH
Poetic Form
Metre 110010111 111111010 01110111 0100101010 11101010 11110110 11110101 111111 11110101 11010101 1111010010 00110110 1101011 010101001 010010101 11110101 1011101 01111100101
Closest metre Iambic pentameter
Characters 751
Words 121
Sentences 7
Stanzas 3
Stanza Lengths 6, 6, 6
Lines Amount 18
Letters per line (avg) 30
Words per line (avg) 7
Letters per stanza (avg) 180
Words per stanza (avg) 40
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Submitted on May 13, 2011

Modified on March 05, 2023

36 sec read
75

Friedrich Schiller

Johann Christoph Friedrich von Schiller was a German poet philosopher historian and playwright During the last seventeen years of his life Schiller struck up a productive if complicated friendship with already famous and influential Johann Wolfgang Goethe with whom he frequently discussed issues concerning aesthetics and encouraged Goethe to finish works he left merely as sketches this relationship and these discussions led to a period now referred to as Weimar Classicism They also worked together on Die Xenien The Xenies a collection of short but harshly satirical poems in which both Schiller and Goethe verbally attacked those persons they perceived to be enemies of their aesthetic agenda. more…

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