Analysis of Melancholy -- To Laura

Friedrich Schiller 1759 (Marbach am Neckar) – 1805 (Weimar)



Laura! a sunrise seems to break
 Where'er thy happy looks may glow.
Joy sheds its roses o'er thy cheek,
Thy tears themselves do but bespeak
 The rapture whence they flow;
Blest youth to whom those tears are given--
The tears that change his earth to heaven;
His best reward those melting eyes--
For him new suns are in the skies!

Thy soul--a crystal river passing,
Silver-clear, and sunbeam-glassing,
Mays into bloom sad Autumn by thee;
Night and desert, if they spy thee,
To gardens laugh--with daylight shine,
Lit by those happy smiles of thine!
Dark with cloud the future far
Goldens itself beneath thy star.
Smilest thou to see the harmony
 Of charm the laws of Nature keep?
Alas! to me the harmony
 Brings only cause to weep!

Holds not Hades its domain
 Underneath this earth of ours?
Under palace, under fame,
 Underneath the cloud-capped towers?
Stately cities soar and spread
O'er your mouldering bones, ye dead!
From corruption, from decay,
 Springs yon clove-pink's fragrant bloom;
Yon gay waters wind their way
 From the hollows of a tomb.

From the planets thou mayest know
All the change that shifts below,
Fled--beneath that zone of rays,
Fled to night a thousand Mays;
Thrones a thousand--rising--sinking,
Earth from thousand slaughters drinking
Blood profusely poured as water;--
Of the sceptre--of the slaughter--
Wouldst thou know what trace remaineth?
Seek them where the dark king reigneth!

Scarce thine eye can ope and close
Ere life's dying sunset glows;
Sinking sudden from its pride
Into death--the Lethe tide.
Ask'st thou whence thy beauties rise?
Boastest thou those radiant eyes?--
Or that cheek in roses dyed?
All their beauty (thought of sorrow!)
From the brittle mould they borrow.
Heavy interest in the tomb
For the brief loan of the bloom,
For the beauty of the day,
Death the usurer, thou must pay,
 In the long to-morrow!

Maiden!--Death's too strong for scorn;
 In the cheek the fairest, He
 But the fairest throne doth see
Though the roses of the morn
Weave the veil by beauty worn--
Aye, beneath that broidered curtain,
Stands the Archer stern and certain!
Maid--thy Visionary hear--
Trust the wild one as the sear,
When he tells thee that thine eye,
 While it beckons to the wooer,
Only lureth yet more nigh
 Death, the dark undoer!

Every ray shed from thy beauty
 Wastes the life-lamp while it beams,
And the pulse's playful duty,
 And the blue veins' merry streams,
Sport and run into the pall--
Creatures of the Tyrant, all!
As the wind the rainbow shatters,
Death thy bright smiles rends and scatters,
Smile and rainbow leave no traces;--
From the spring-time's laughing graces,
From all life, as from its germ,
Grows the revel of the worm!

Woe, I see the wild wind wreak
 Its wrath upon thy rosy bloom,
Winter plough thy rounded cheek,
 Cloud and darkness close in gloom;
Blackening over, and forever,
Youth's serene and silver river!
Love alike and beauty o'er,
Lovely and beloved no more!

Maiden, an oak that soars on high,
 And scorns the whirlwind's breath
Behold thy Poet's youth defy
 The blunted dart of Death!
His gaze as ardent as the light
 That shoots athwart the heaven,
His soul yet fiercer than the light
 In the eternal heaven,
Of Him, in whom as in an ocean-surge
Creation ebbs and flows--and worlds arise and merge!
Through Nature steers the poet's thought to find
No fear but this--one barrier to the mind?

And dost thou glory so to think?
 And heaves thy bosom?--Woe!
This cup, which lures him to the brink,
As if divinity to drink--
 Has poison in its flow!
Wretched, oh, wretched, they who trust
To strike the God-spark from the dust!
The mightiest tone the music knows,
 But breaks the harp-string with the sound;
And genius, still the more it glows,
But wastes the lamp whose life bestows
 The light it sheds around.
Soon from existence dragged away,
The watchful jailer grasps his prey:
Vowed on the altar of the abused fire,
The spirits I raised against myself conspire!
Let--yes, I feel it two short springs away
 Pass on their rapid flight;
And life's faint spark shall, fleeting from the clay,
 Merge in the Fount of Light!

And weep'st thou, Laura?--be thy tears forbid;
Would'st thou my lot, life's dreariest years amid,
 Protract and doom?--No: sinner, dry thy tears:
Would'st thou, whose eyes beheld the eagle wing
Of my bold youth through air's do


Scheme ABCCBDDEE FAGGHHIIGJGJ XKXKLLMNMN BBOOFFPPGG XQRREERBBNNMMB SGGSSDDXXTITI GUGUXXKEXXVV CNCNPPPX TWTWXDXDYYZZ 1 B1 1 B2 2 Q3 QQ3 MMPPMXMX 4 4 XFX
Poetic Form
Metre 1001111 10110111 111101011 11011101 010111 111111110 011111110 11011101 11111001 110101010 101011 101111011 10101111 1101111 11110111 1110101 1010111 11110100 11011101 01110100 110111 1110101 0111110 1010101 0101110 1010101 1011111 1010101 1111101 1110111 1010101 1010111 1011101 1011111 1110101 10101010 11101010 10101110 10101010 111111 1110111 1111101 111011 1010111 011011 11111101 1111001 1110101 11101110 1010111 1010001 1011101 1010101 101111 001110 1011111 0010101 1010111 1010101 1011101 1011110 10101010 111001 1011101 1111111 1110101 101111 1011 100111110 1011111 0011010 0011101 1010101 1010101 1010110 1111101 1011110 10111010 1111111 1010101 1110111 11011101 1011101 1010101 100100010 10101010 10101010 1000111 10111111 01011 01110101 010111 11110101 1101010 11110101 0001010 1101101101 010101010101 1101010111 11111100101 01110111 011101 11111101 11010011 110011 10110111 11011101 010010101 11011101 01010111 11011101 011101 11010101 01010111 11010100110 01011011010 1111111101 111101 0111110101 100111 01111011101 1111111101 0101110111 1111110101 1111111
Closest metre Iambic tetrameter
Characters 4,196
Words 746
Sentences 42
Stanzas 11
Stanza Lengths 9, 12, 10, 10, 14, 13, 12, 8, 12, 20, 5
Lines Amount 125
Letters per line (avg) 27
Words per line (avg) 6
Letters per stanza (avg) 305
Words per stanza (avg) 67
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Submitted on May 13, 2011

Modified on March 05, 2023

3:50 min read
130

Friedrich Schiller

Johann Christoph Friedrich von Schiller was a German poet philosopher historian and playwright During the last seventeen years of his life Schiller struck up a productive if complicated friendship with already famous and influential Johann Wolfgang Goethe with whom he frequently discussed issues concerning aesthetics and encouraged Goethe to finish works he left merely as sketches this relationship and these discussions led to a period now referred to as Weimar Classicism They also worked together on Die Xenien The Xenies a collection of short but harshly satirical poems in which both Schiller and Goethe verbally attacked those persons they perceived to be enemies of their aesthetic agenda. more…

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