Analysis of The Wanderings of Oisin: Book II



Now, man of croziers, shadows called our names
And then away, away, like whirling flames;
And now fled by, mist-covered, without sound,
The youth and lady and the deer and hound;
'Gaze no more on the phantoms,' Niamh said,
And kissed my eyes, and, swaying her bright head
And her bright body, sang of faery and man
Before God was or my old line began;
Wars shadowy, vast, exultant; faeries of old
Who wedded men with rings of Druid gold;
And how those lovers never turn their eyes
Upon the life that fades and flickers and dies,
Yet love and kiss on dim shores far away
Rolled round with music of the sighing spray:
Yet sang no more as when, like a brown bee
That has drunk full, she crossed the misty sea
With me in her white arms a hundred years
Before this day; for now the fall of tears
Troubled her song.

I do not know if days
Or hours passed by, yet hold the morning rays
Shone many times among the glimmering flowers
Woven into her hair, before dark towers
Rose in the darkness, and the white surf gleamed
About them; and the horse of Faery screamed
And shivered, knowing the Isle of Many Fears,
Nor ceased until white Niamh stroked his ears
And named him by sweet names.

A foaming tide
Whitened afar with surge, fan-formed and wide,
Burst from a great door matred by many a blow
From mace and sword and pole-axe, long ago
When gods and giants warred. We rode between
The seaweed-covered pillars; and the green
And surging phosphorus alone gave light
On our dark pathway, till a countless flight
Of moonlit steps glimmered; and left and right
Dark statues glimmered over the pale tide
Upon dark thrones. Between the lids of one
The imaged meteors had flashed and run
And had disported in the stilly jet,
And the fixed stars had dawned and shone and set,
Since God made Time and Death and Sleep: the other
Stretched his long arm to where, a misty smother,
The stream churned, churned, and churned - his lips apart,
As though he told his never-slumbering heart
Of every foamdrop on its misty way.
Tying the horse to his vast foot that lay
Half in the unvesselled sea, we climbed the stair
And climbed so long, I thought the last steps were
Hung from the morning star; when these mild words
Fanned the delighted air like wings of birds:
'My brothers spring out of their beds at morn,
A-murmur like young partridge: with loud horn
They chase the noontide deer;
And when the dew-drowned stars hang in the air
Look to long fishing-lines, or point and pare
An ashen hunting spear.
O sigh, O fluttering sigh, be kind to me;
Flutter along the froth lips of the sea,
And shores the froth lips wet:
And stay a little while, and bid them weep:
Ah, touch their blue-veined eyelids if they sleep,
And shake their coverlet.
When you have told how I weep endlessly,
Flutter along the froth lips of the sea
And home to me again,
And in the shadow of my hair lie hid,
And tell me that you found a man unbid,
The saddest of all men.'

A lady with soft eyes like funeral tapers,
And face that seemed wrought out of moonlit vapours,
And a sad mouth, that fear made tremulous
As any ruddy moth, looked down on us;
And she with a wave-rusted chain was tied
To two old eagles, full of ancient pride,
That with dim eyeballs stood on either side.
Few feathers were on their dishevelled wings,
For their dim minds were with the ancient things.

'I bring deliverance,' pearl-pale Niamh said.

'Neither the living, nor the unlabouring dead,
Nor the high gods who never lived, may fight
My enemy and hope; demons for fright
Jabber and scream about him in the night;
For he is strong and crafty as the seas
That sprang under the Seven Hazel Trees,
And I must needs endure and hate and weep,
Until the gods and demons drop asleep,
Hearing Acdh touch thc mournful strings of gold.'

'Is he so dreadful?'
'Be not over-bold,
But fly while still you may.'
And thereon I:
'This demon shall be battered till he die,
And his loose bulk be thrown in the loud tide.'
'Flee from him,' pearl-pale Niamh weeping cried,
'For all men flee the demons'; but moved not
My angry king-remembering soul one jot.
There was no mightier soul of Heber's line;
Now it is old and mouse-like. For a sign
I burst the chain: still earless, neNeless, blind,
Wrapped in the things of the unhuman mind,
In some dim memory or ancient mood,
Still earless, netveless, blind, the eagles stood.

And then we climbed the stair to a high door;
A hundred horsemen on the basalt floor
Beneath had pa


Scheme aabbccddeeffgghhixx jjkklliia mmnnoopppmqqrrssttggusvvwwxuuxhHryybhHzxbz ka1 1 mmm2 2 c cppp3 3 yye xeg4 4 mm5 5 6 6 7 7 xx 8 8 x
Poetic Form
Metre 111111101 0101011101 0111110011 0101000101 111101011 0111010011 0011011101 0111111101 11001010111 1101111101 0111010111 01011101001 1101111101 1111010101 1111111011 1111110101 1100110101 0111110111 1001 111111 11011110101 110101010010 10010101110 1001000111 011001111 01010011101 110111111 011111 0101 101111101 11011111001 1101011101 1101011101 011010001 0101000111 1101110101 11110101 11110011 0111010111 011001101 0110011 0011110101 11110101010 11111101010 0111011101 11111101001 1100111101 1001111111 100111101 0111110110 1101011111 1001011111 1101111111 0101110111 11011 0101111001 1111011101 110101 11110011111 1001011101 010111 0101010111 111111111 0111 1111111100 1001011101 011101 000111111 011111011 010111 010111110010 011111111 0011111100 1101011111 0110110111 1111011101 111111101 11001111 1111010101 1101001111 100101011 1011110111 1100011011 101011001 1111010101 1110010101 0111010101 0101010101 1011110111 11110 11101 111111 0011 1101110111 0111110011 111111101 1111010111 11010100111 1111001111 1111011101 110111011 10011011 0111001101 110110101 0111011011 0101010011 0111
Closest metre Iambic pentameter
Characters 4,322
Words 824
Sentences 19
Stanzas 8
Stanza Lengths 19, 9, 42, 9, 1, 9, 15, 3
Lines Amount 107
Letters per line (avg) 32
Words per line (avg) 8
Letters per stanza (avg) 433
Words per stanza (avg) 102
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Submitted on May 13, 2011

Modified on April 06, 2023

4:05 min read
85

William Butler Yeats

William Butler Yeats was an Irish poet and one of the foremost figures of 20th century literature. more…

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    The repetition of vowel sounds is an example of _______.
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