Analysis of Beer.



In those old days which poets say were golden -
(Perhaps they laid the gilding on themselves:
And, if they did, I'm all the more beholden
To those brown dwellers in my dusty shelves,
Who talk to me "in language quaint and olden"
Of gods and demigods and fauns and elves,
Pans with his pipes, and Bacchus with his leopards,
And staid young goddesses who flirt with shepherds:)

In those old days, the Nymph called Etiquette
(Appalling thought to dwell on) was not born.
They had their May, but no Mayfair as yet,
No fashions varying as the hues of morn.
Just as they pleased they dressed and drank and ate,
Sang hymns to Ceres (their John Barleycorn)
And danced unchaperoned, and laughed unchecked,
And were no doubt extremely incorrect.

Yet do I think their theory was pleasant:
And oft, I own, my 'wayward fancy roams'
Back to those times, so different from the present;
When no one smoked cigars, nor gave At-homes,
Nor smote a billiard-ball, nor winged a pheasant,
Nor 'did' their hair by means of long-tailed combs,
Nor migrated to Brighton once a-year,
Nor - most astonishing of all - drank Beer.

No, they did not drink Beer, "which brings me to"
(As Gilpin said) "the middle of my song."
Not that "the middle" is precisely true,
Or else I should not tax your patience long:
If I had said 'beginning,' it might do;
But I have a dislike to quoting wrong:
I was unlucky - sinned against, not sinning -
When Cowper wrote down 'middle' for 'beginning.'

So to proceed. That abstinence from Malt
Has always struck me as extremely curious.
The Greek mind must have had some vital fault,
That they should stick to liquors so injurious -
(Wine, water, tempered p'raps with Attic salt) -
And not at once invent that mild, luxurious,
And artful beverage, Beer. How the digestion
Got on without it, is a startling question.

Had they digestions? and an actual body
Such as dyspepsia might make attacks on?
Were they abstract ideas - (like Tom Noddy
And Mr. Briggs) - or men, like Jones and Jackson?
Then Nectar - was that beer, or whiskey-toddy?
Some say the Gaelic mixture, I the Saxon:
I think a strict adherence to the latter
Might make some Scots less pigheaded, and fatter.

Besides, Bon Gaultier definitely shews
That the real beverage for feasting gods on
Is a soft compound, grateful to the nose
And also to the palate, known as 'Hodgson.'
I know a man - a tailor's son - who rose
To be a peer: and this I would lay odds on,
(Though in his Memoirs it may not appear,)
That that man owed his rise to copious Beer.

O Beer! O Hodgson, Guinness, Allsop, Bass!
Names that should be on every infant's tongue!
Shall days and months and years and centuries pass,
And still your merits be unrecked, unsung?
Oh! I have gazed into my foaming glass,
And wished that lyre could yet again be strung
Which once rang prophet-like through Greece, and taught her
Misguided sons that "the best drink was water."

How would he now recant that wild opinion,
And sing - as would that I could sing - of you!
I was not born (alas!) the "Muses' minion,"
I'm not poetical, not even blue:
And he (we know) but strives with waxen pinion,
Whoe'er he is that entertains the view
Of emulating Pindar, and will be
Sponsor at last to some now nameless sea.

Oh! when the green slopes of Arcadia burned
With all the lustre of the dying day,
And on Cithaeron's brow the reaper turned,
(Humming, of course, in his delightful way,
How Lycidas was dead, and how concerned
The Nymphs were when they saw his lifeless clay;
And how rock told to rock the dreadful story
That poor young Lycidas was gone to glory:)

What would that lone and labouring soul have given,
At that soft moment, for a pewter pot!
How had the mists that dimmed his eye been riven,
And Lycidas and sorrow all forgot!
If his own grandmother had died unshriven,
In two short seconds he'd have recked it not;
Such power hath Beer. The heart which Grief hath canker'd
Hath one unfailing remedy - the Tankard.

Coffee is good, and so no doubt is cocoa;
Tea did for Johnson and the Chinamen:
When 'Dulce et desipere in loco'
Was written, real Falernian winged the pen.
When a rapt audience has encored 'Fra Poco'
Or 'Casta Diva,' I have heard that then
The Prima Donna, smiling herself out,
Recruits her flagging powers with bottled stout.

But what is coffee, but a noxious berry,
Born to keep used-up Londoners awake?
What is Falernian, what is Port or Sherry,
But vile concoctions to make dull heads ache?
Nay stout itself - (though good with oysters, very) -
Is not a thing your reading man should take.
He that would shine, and petrify his tutor,
Should drink draught Allsop in its "native pewter."

But hark! a sound is stealing on my ear -
A soft and silvery sound - I know it well.
Its tinkling tells me that a time is near
Precious to me - it is the Dinner Bell.
O blessed Bell! Thou bringest beef and beer,
Thou bringest good things more than tongue may tell:
Seared is (of course) my heart - but unsubdued
Is, and shall be, my appetite for food.

I go. Untaught and feeble is my pen:
But on one statement I may safely venture;
That few of our most highly gifted men
Have more appreciation of the trencher.
I go. One pound of British beef, and then
What Mr. Swiveller called a "modest quencher;"
That home-returning, I may 'soothly say,'
"Fate cannot touch me: I have dined to-day."
  


Scheme ABABABCC DEXEXAFF GHGHGHII JKJKJKLL MNMNMNAA OPDADAQQ BPRARPII STSTSTQQ AJAJAJOO UVUVUVOO AWAWAWDX XAXYXYZZ O1 O1 O1 QQ X2 I2 I2 DX YQYQYQVV
Poetic Form Tetractys  (20%)
Metre 01111101010 0111010101 01111101010 1111001101 11110101010 11010101 11110101110 01110011110 0111011100 0101111111 111111111 11010010111 1111110101 11110111 0110101 0011010001 1111110110 0111110101 111111001010 1111011111 11010111010 1111111111 110110101 1101001111 1111111111 1101010111 1101010101 1111111101 1111010111 1110011101 11010101110 11011101010 1101110011 11111010100 0111111101 111111010100 11010111101 011101110100 010100110010 11011101010 1110110010 11111011 0101010111 01011111010 1101111101 11010101010 11010101010 111111010 0111010001 10110011011 1011010101 01010101110 110101111 11010111111 101111101 11111111001 111101011 11111100101 11010101001 011101101 1111011101 0111110111 11110111010 01011011110 11110111010 0111111111 11110101010 1111101 0111111110 11110101 11001011 1011111101 11011101001 1101010101 01110101 1011010101 11110101 0101111101 01111101010 111111110 1111011110 1111010101 11011111110 01010101 11110111 0111011111 11011011111 11010100010 10110111110 11110001 1111010 11011101 10110011110 1101011111 0101010011 01010101101 11110101010 1111110001 111111110 1101011111 11011111010 1101110111 1111010110 1111011010 1101110111 01010011111 11001110111 1011110101 11111101 111111111 11111111 101111011 111010111 11110111010 11110110101 1100101010 1111110101 1101101010 110101111 1101111111
Closest metre Iambic pentameter
Characters 5,234
Words 998
Sentences 49
Stanzas 15
Stanza Lengths 8, 8, 8, 8, 8, 8, 8, 8, 8, 8, 8, 8, 8, 8, 8
Lines Amount 120
Letters per line (avg) 34
Words per line (avg) 8
Letters per stanza (avg) 273
Words per stanza (avg) 65
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Submitted on August 03, 2020

Modified on March 05, 2023

4:59 min read
8

Charles Stuart Calverley

Charles Stuart Calverley was an English poet and wit. more…

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